Cross cultural exchange

group for festival

Staff from China’s Guanfu Museum with Daisy Wang, PEM’s curator of Chinese art and PEM intern Peter Yufu Huang arrive at PEM’s Lunar New Year Festival. Photo by Dinah Cardin

It’s like entering a “time machine” Frank Guo says as he walks from PEM’s sleek, glass Atrium into Yin Yu Tang, the museum’s historic Chinese home.


PEM’s Yin Yu Tang Chinese House. Photo by Dennis Helmar

A few weeks ago, Guo along with other staff from China’s Guanfu Museum, visited PEM to film a documentary about Shanghai’s global influence. The Guanfu Museum, one of China’s first private museums, is preparing to open a new branch inside the 128-story-high Shanghai Tower.

The film crew gathered in the Double Happiness: Celebration in Chinese Art exhibition gallery as Guo and PEM’s director, Dan Monroe, discussed the museum’s centuries-old connection to China. Monroe passionately explained how an exchange of art and culture is a powerful tool to help China and the U.S. move beyond “stereotypes and shallow perceptions.”

Dan and Frank

Frank Guo interviews PEM’s Director and CEO Dan Monroe. Photo by Dinah Cardin

Fortuitously, our guests from the Guanfu Museum arrived just in time for PEM’s hugely popular Lunar New Year Festival, where Guo and his film crew captured Lion Dances amid the crush of eager spectators.

Lunar New Year at PEM

Lunar New Year at PEM. Photo by Walter Silver/PEM.

Our visitors also spent a significant amount of time touring the museum with Daisy Wang, PEM’s curator of Chinese and East Asian art, who shared select objects from the collection.

Daisy interview

The crew interviews Daisy Wang. Photo by Dinah Cardin

This included vintage ladies’ garments, such as a blue silk dress that would have been purchased at a Shanghai department store in the 1930s. The dress came with its own connection between East and West with a Western style lace-lined slip:

detail 2

Photo by Dinah Cardin

dress 2

Photo by Dinah Cardin


Photo by Katie White

Of particular interest were selections from PEM’s photography collection, including the largest and most important American museum collection of 19th-century photographs of China. Through the lenses of photographers from around the world, these black-and-white images and panoramic views of a growing Shanghai offer insight into China and its people during a period of dramatic change.

The crew also viewed images of the Longhua Pagoda by French photographer Louis Legrand. Photo by Dinah Cardin
shanghai panaramic

Daisy Wang shows the film crew an 1880s panoramic view of The Bund in Shanghai by Kung Tai. Photo by Dinah Cardin

Shanghai has, of course, grown and changed beyond recognition from these early photos. Shanghai Tower, where the new Guanfu Museum will be located, is ranked among the top three tallest buildings in the world.


Shanghai skyline. Courtesy photo

Just a few months prior, PEM’s Chief Marketing Director Jay Finney spent time with the Guanfu Museum staff on their own turf. Some reports have said that a new museum is built every day in China. The race to build new museums in China is keeping pace with the staggering growth of the art world there in general. Both are reported  as evidence “that the government has identified art and culture as a pillar to buttress China’s national identity and position as a world superpower.” Chinese museum professionals often feel a special kinship to PEM, in part, Finney says, because our ties to China go all the way back to the museum’s founding in 1799.

Mr. Frank in China

Jay Finney and his wife Jacqui with the staff of the Guanfu Museum. Courtesy photo

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